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Wednesday, July 20, 2011

Thoughts (The Ballad of Jumping Jack Flash)

Thoughts (The Ballad of Jumping Jack Flash)

I feel like sludge.

I feel like shit to be quite frank,

Standing here by the open door, waiting for you.


But there goes Jumping Jack Flash again!

He’s flying off again

With a beer in his hand

And ten in his head.

Dying off again

In the salt rimmed air

Two E's for eyes!

He’ll hie to outrun his history's cries for help


And everyone here plays acoustic guitar of course.

The girl in the corner,

She’s deconstructed Stevie Nicks again,

Her black body is bandaged, wrapped around a Pet Shop Boy.

Now Jack Flash ain't none too content with that fact,

For Stevie’s his chick, first and foremost,

When Susie, Lucy, and Tuesday’s last feline ghost

Have vacated the dusty cattle ranch.

Pet Shop better watch his neck or he may never play acoustic guitar again.


I wish I was happier.

And I really wish I had some acid

To keep me warm on this cold June night,

Standing here by the open door, waiting for you.


Oh! If I could tell a tale of hearts and minds

Fears and sorrows, tears and hollow

Bits of pasture reared in the lonely, little, residual lump

Of good feelings you have for me-

I would.

My has beens would’ve, could’ve not been

At hand.

Now,

In only a friend’s hand.


“What stories do you have today mister?”

“Jumping Jack Flash. It’s a gas gas gas.”


The knife goes quick slash to Pet Shop's vein,

Poor Stevie's dress will be ruined

If Pet Shop's vein does not remain intact.

Hardly a fact of fiction.

Simple biology and physics.

Men’s throats haven’t changed terribly much over the years.


“No, really? Everyone around here plays acoustic guitar?”

“I ain’t lyin’ man. Some strum it well. Others mumble like Bob Dylan when he wanted to fuck with us. Everyone here thinks Bob Dylan’s shit don’t stink, but you know what? I ain’t got no toilet paper.”


"I want to stick my dick in you.

It would be true love.

I love you Stevie."


Quoth the raven, “Nevermore”


More and more of Pet Shop's blood spilled on the floor.

More and more, the blood I saw, I swore

It came waist deep to Stevie's tattered feathers.


And that's when Jack realized his chance for love was dead.

Eyes wide

He fled open

Into the night and was never seen again.

To this day the acoustic guitar players have not forgotten his face

And on nights like tonight strum still through his doleful melody.

All that remains of his infamy, immortality and continuously reedited wikipedia page.


And Stevie?

Well, Stevie I don’t know quite so much about. Actually nothing really. I assume she’ll pass on someday. Hopefully in spectacular fashion.

She was always the more romantic of the pair.


And Pet Shop?

Well, Pet Shop's dead.


And I...

Well, I'm standing by the open door waiting for you.


Wednesday, March 16, 2011

Sitting in this vacuum called airport
Engulfed in the nothingness of sterile mobility
Thoughts of you flash through me like virtual particles

I yearn to see your sideways smile tonight
Waiting for a sign from you
Caffeine is the wind that drives the currents of insanity in my veins

Monday, February 14, 2011

Some proverbs aren't written
Down they make their way through
Throats caught midway
Between hot and cold weather
Writer's block means we only use
The proverbs that work well in
English, anyway.

Look, she said to me
Jerusalem is a city that lies
And I want to know
Who is lying to me
Why
How much
When
And where

writer's block

into the water
plunged my fingers
plunged my
fingers
one day honey
another day onions
market smells
and soldiers
or the spring rises
with each and every drip of
olive oil
hot and sticky
poems don't have
to make sense

Sunday, January 30, 2011

How did you do it?

How did you nestle your way into my brain
So that when I sat on that dune
That symmetric mound of man-made sand
It caressed my curled up toes
The sun was screaming California as it bounced off the ocean
And all I could think of was you.

Saturday, January 29, 2011

Jaffa

I wish I could:
Photograph this poem
As it is being written.

The place where it lives:
On rocks lapped with foam
Lips of an angry ocean.

I want you to taste them, here:
Sea salt breezes, runny noses
And a Jaffa sunset.

Tiptoe back to:
The neighborhoods I know
Wait for your call or
An address
And a break from
A morning of waiting for
The day to end.

Thursday, January 27, 2011

A Woman's Love: An Elegy

A Woman's Love: An Elegy

It’s a tragedy, to love a woman so well,

Blown back from childhood, battles we knew so well.

When I was Sam, and you were Merry,

We all changed through Frodo, our other friend was Pippin.

Here we fought Middle Earth’s wars from days beginning to end,

Till that night, a fight, the light came screeching to a sudden halt,

And the Ents were cut down by a premium housing firm.

Under the cover of their broken back blown shouts

Galadriel’s whistle stole our Merry away,

While we, distracted, smoldered beside the men

Who stole our daydreams

And threw Pippin quarters under the bush,

For walking like a lady.

We were 15 when we looked up.

With no Merry.

You had gone to meet your lady.

Childish games for childless shames.

All the Ents were dead.


And I didn’t care.

There to be born the boy of the backstreets

With few cares but grand emotion,

Tucked away, saved someday

For when Galadriel would nip at your face in French,

(You were dumb and only spoke American)

While I, caring little for her pâté, but fluent in French matters,

Battled her tongue word for word and dominance,

Shadowing you behind carnival Ferris wheels

And the inky black of locker rooms

To hear the swooners croon

“I want it that way” from the party inside.

It was I who taught you how to kiss her with my mouth,

Through my words I guided you and held your heart,

And then, we parted.

All three.

You two, through the inky black,

And me,

Outside in the dumb show of bro bravado,

With a pale flaxen love I brought for the night

To light my heart’s light as I was low,

In my body’s soul I shuddered and sought to show that glow

I wished to grow so greatly,

Gently grating the long and pang I wished for her.

But I’m no Aragorn.

And I miss my Shire.

I let her go.

She hates me still.


Still, like the muddy river bottom,

Merry Galadriel caked for many years more

And I swore that in my heart

I blessed the silent sticky which bore my friend away from me,

Into thee,

Lovely lady, you were a friend of mine as well.

And in those muddy river brakes, I cultivated flowers,

Not mine to know their fragrant smell,

I’ve grown these weeds to smoke, to ease my mind,

Every time I slipped a note between her hands,

Your eyes,

The twisted ties together, stronger.

I became all the more complicit.

And our budding cherry, seeming parted,

Was yours, both, together, never mine.

Only time itself would wash myself away from that mangy stream,

And when the flood came,

There were tears in little Merry’s eyes,

Her words, beautiful,

So clear,

All the mud had gone away,

The day I delivered her message of resignation to you with my voice.

It was her choice, not mine,

Brother.


Well he cried, and died, and died while crying some more,

In the days, the weeks, the months, the years who flow

And come never more for Galadriel,

“Love is tragic and hard!” he pronounced to me.

In a den of E, one night when the boys were left alone

To dictate the fate of the world as boys our age often do.

I gave him my quick and muddy reply,

“You lie, you are the tragic one, for your love has grown soft,

That’s why she left you merry and alone, boy.”

He called me, “A fuck” and I knew my place,

To serve his greater earthly facets and weave smiles for him

As he contemplated eternal bachelorhood at age 22.

Alone with me.

No more three.

He. He. He.

No man could breathe to the life unseen

The way young Merry’s life did for Sam.

We laughed and laughed and laughed

Until suddenly, at once, there came a crash

In the den of that foggy, dripping night,

And Galadriel’s body came floating over yours into the purple haze,

Let in by some crack under the door.

That night I heard you love her through your dreams,

And so it seems she will always till a plot of bitter earth

Near the junction of your heart and her mouth.

It’s what I have seen.

Friends don’t stay like evergreens.


That night I wandered aimlessly into my mind,

To smile the smile,

And make him forget.

To bless the memories that never happened.

To forget the girl or two I knew when I was younger and merry.

He introduced both to you, remember?

No, remember when we lived together in Harlem?

And heard the Negro speak of rivers.

Remember when lilacs last in our doorway bloomed?

The day the North and the South were knit once more.

Forever.

And I smiled the smile

To make myself forget.

In my mind you gave me that merry laugh,

Forever.

Tearing away from me, your Sam,

My games and imagination made a young Merry smile,

And like a wizard, transform him into a different man.

When I awoke, Galadriel had fled once more

And you were a different man,

No longer merry, and quite unlike my own.

Imagination is a devil and I prick it tunelessly on my heartstrings.


I want a woman.

But cannot see,

Who she should be.

If Merry would kindly pick for me, a wife,

I’d lay my soul down and smoke a pipe

For the rest of my days in the Shire.


But all the Ents are dead.

They have been mowed over.

And the Shire was washed away in the flood.

Remember? It’s gone.

Love has gone away and we chase Galadriel together,

Through the air, her hair, who will catch her?

I cannot say.

You have never seen the way I always let you leap up at her first, brother.

The memories of a lover, held in the hands of another

More refined and supple to carry a merry young lad away,

To play around those curves I learned of a longing last to be knit,

Fast to your soul through another.

But I can’t find her.

The day I do we shall be boys once again,

Forever.

Brother.


And under our giant friends, these Ents, we shall grow old,

Each with a grandson on our knee,

And wives by our sides,

Two houses, side by side,

Will I ever say, “Remember this time old friend?”

Brother, I do not know.

The tale cannot be told,

And I may grow old waiting for the woman who will never leave me,

The way men always do.

But that’s our way, to stay is pure folly.

Go to her.

I’ll be on my way, my Merry lad.

If I come by slowly or not at all,

Do not form a band of brave young lads to search for me, no.

Love love, it is the greatest show.

The Shire has detained me, that is all.

It is warm there, and reminds me of the games we used to play,

In the days long before she came,

And our play became your night.

Friday, January 21, 2011

Mexico City Dream

We are sitting in the dining room.
I love the way the sound your oxygen makes
changes
when you bring the cup of coffee up against your face.
Can you put some more coffee in? you say laughing, Como que me lo hiciste muy ligero...

The door crashes open. I forgot to lock us in tight
Comrades, show us the valuables and we wont harm you, he shouts
Guns pointing every which way
Oblivious, I reach for the crystal vase and throw it at him
I miss, there is glass everywhere

No one moves

No se lo esperaban

Tengo un problema, les digo, y creo que son los perfectos para ayudarme.
Ya calmados, se sientan en el sillon.
Her stories are running through my head
Of men who go shopping for their women,
Of a woman who dresses like a man, impossible to call her Laurita
Of the men who whistle when you walk down the street, the shame and the fear
Of 20% of the country piled up in one green house of a valley

No me siento Mexicana, y me da mucha pena
Por que? me dice, Como vas a ser algo que no eres, algo que nunca has sido?

But I was!
I would run and jump and beg them to take me to the cerrito
The cerrito!
I wouldn't understand myself if I met me now
I have always been a patriot sin patria...

Oh, and comrades, can we lose the soviet symbols please, they're getting overused.

I wheel your chair down the hall,
No corres, me vas a quitar las narizes
Si abuela
Deja los platos con agua, porque si no vienen las cucarachas
Si abuela
Lift your leg abuela,
Ok, now the other one. No, abuela, the other one.
You fall asleep with the tv on, the city still churning beneath our feet.

Tuesday, January 11, 2011

This Week; Or View From Afar Now

I've done a bad thing now.
Mother, I want to leave home now forever, catch a glimpse of contested borders and lay down beneath the hail of birds with the Tuscan sun in my eyes. I'll pluck a feather from each and mail you a million quills with dripping ink.
I want to float with my stomach towards the clouds in the Atlantic and be washed through the Triangle on a bed of torn fish and garbage.
I want to watch you from afar now. You look east towards the tallest ruin. I'll stamp my feet until the earth shakes and you can hear me wailing.
I know you're alone there. Chances are I'll be on home now.
But not before I've seen this world.
And oh, you nameless woman.
Each trial of my mine matters not and yet I still fear your touch and dark hair
pale skin and slender unforgiving.
Eyes of pride and eyes of wonder.
I worry now, you'll disappear again and draw my ire.
For you I'll send my silence from the breaks in the book burning line.
Maybe we can meet in Queensland and I can take you out on the river.
With your nonexistent parasol and ambivalence.
I've done a bad thing. Exeunt bravado.
I only wanted to bike the countryside in ambiguity and read my books.
But I cannot do it alone.
I want to struggle now with everyone. I want to struggle now with you.
I wanted to write published letters.
But there is nothing left to write.



Los Angeles 2011

Monday, January 3, 2011

One last quick poem
Like a kiss or its
Lingering on a summer
Day or night or what
Comes in between
Sheets of half notes and
Quarter tones that
Given due time
Will come together to make
One last quick poem

Train Poem II

Feverish on a train
Tel Aviv on a horizon
Blanket of lights
And a heater that
Costs the family
A fortune

I don't know what
I'm doing on a
Train where people
Stare at me, where
My notebook or
Its cover might
Frighten them and
Force them to get
Off at the next
Stop

I want for them
To become richer
And buy themselves
Empty pages too
So that everybody
In Israel can be
Lonely together

Jawaher Abu Rahma

Saturday was rain
And gloomy even before
I stepped outside
And heard about the killing
The blood that runs down into
The sewage pipes of Tel Aviv
Was washed away by torrents
Minutes of rain followed by
Minutes of sunlight
Dog walkers and children
Magnetized by whatever pulled
Them toward the park
How lovely, I thought
The water here makes blood look like
Paint on a sidewalk
So that when we walk by
Any curb looks fit for
A facelift
Where does all that blood run to?
I wondered
And whose veins does it pump through?
Because in my dinner I can taste it
In the lettuce and the peppers that we chopped
After we rinsed them with water
It was as if we had left them outside by the curb in the rain

Tuesday, December 28, 2010

Marginalized Poem

For Edo


Marginalized Poem


This is a marginalized poem.

It’s marginalized ‘cause it’s stuck between two margins, you see,

The left and right of my computer screen.

I have no use now for the up and down,

I’m a poet

A fucking man of letters

Who idolizes Jon Stewart

And scorns Glenn Beck every chance I get.

No the up and down only gets a frown

From my face

No place-

That is…

Unless of course…

You desperately cling to the words I type,

Just wait

Oh, I know you’ll like

The way they’ll bite,

Got you all boxed into

The margins of your Blackberry Torch’s illuminated screen

I won’t say no

To a little personal congratulation for the Pulitzer I never got.

Let me pulverize your mind into that little box,

Or several little boxes

If you want to take me home

To share with your friends,

That is…

I won’t say no

To several little boxes containing what’s left

Of my measly worn words,

Oh the dirty, dirty, words, words,

Words, always coming from the left

Liberal words flowing freely, softly, hotly,

But softly, simply, darling, oh so softly,

Don’t arouse the might of the words on the right

They write with the might of what’s been repeated before

Long before the left decides what’s in store.

For first the rhyme chimes up in my mind

And what’s left is the left

I seldom know where to begin what’s left of the left

When the rhyme is so easy

It pleases me to write with the right in mind.

And your face of course.

Don’t think I forgot about you, love.

This poem isn’t political.

It’s a typical plea for the glee I see

In the atypical symmetry of your slender hipbones.

Stoned, while I while the while

Meditating on the image of your smile

The night your mind was

Centered directly between

My left and right legs.


Sunday, December 26, 2010

a poem
is a gift;
its heartbeat
beats from
across a crowded
bus station
in Jaffa
it's in the
diesel engine
of a taxi
sputtering to a
halt by the
side of the
road very close
to my home
in Bavli
and it sits
and it waits
for the pen
and for me
to sit down
to decide
when it's ripe
to give away

Tel Aviv

I think of Tel Aviv
As two cities
Or three
Or four
Or five
And sometimes six
So when Ayelet asks
Whether it is bigger than San Francisco
The question simply does not
Register

This city has walls
Is walled
Walled in
In such a way that
Some of its very own
No longer carry keys that match
The locks

And somehow
My pockets
Always seem so full of
Keys and change
When I'm in
This city

Saturday, December 25, 2010

The Highwaymen

After the storm freeways were littered with severed car parts - a mirror, a door, a windshield - all different colors, a red bumper smashed up on the shoulder off Oso Parkway. I lowered my eyes in respect for the dead vehicles and out of decency for the strewn and exposed parts that found themselves suddenly naked in public.


We were all voyeurs on the highway last night; we were families in khaki gawking at exotic animals. I've hydroplaned more than a handful of times in my life but after seconds the car jolts back to the drag of gravity. I can imagine those 8, 9 seconds, completely weightless over water; a pressing silence except for rain on the windshield and the sticky sound of leather pulling from your skin as you shift weight.

Thursday, December 23, 2010

Poem for Trains (and Yona Wallach)

You come to me

In a dream

Or on a train;

On a train I

Want to fuck

Everybody I see:

The woman who walks the aisles

Checking tickets

I undress her with my mouth

As we move toward the last car

And we fuck in the bathroom

Over layers of urine and toilet paper that

Just can’t seem to get quite enough of one another

We fuck in my head

And in my mouth

And in my ears until each sense

Cums in unison, on a train

And on the fourth stop

You stop and clean up

And wipe your mouth

And wipe mine

And hold my hand

And I know that

It was the best thing

That’s ever happened to us

The best fuck we’ve ever had

Because we went slow

And then you curl your fingers into mine

And slide them through the place where my belt

Used to be

And smile

We smile widely

And thankfully

And before you walk out

You ask for my ticket

Monday, December 20, 2010

Ramat Aviv

Undressing
To a full-body mirror
Is torture
To a body not at ease with itself;
Is torture
To a body all by itself;
Is torture
To my body
_____________________________

Lior says you need one
And the one
In his uncle’s building
In Tel Aviv
Takes up more than
An entire body;
Takes up an entire wall
So that when you walk by it
You see the things
You necessarily
Give a fuck about
And forget about
The things you don’t

Sunday, December 19, 2010

The Turkish Pizzeria

For Pancho Morris, Matthew Soson and the men and women of Frankfurt's Red Light District



The Turkish Pizzeria



So I’m sitting here in the Italian Pizza Parlor of Frankurt’s Red Light

District with its Turkish proprietor Franco, when at 3am in the night,

Time stops, and who might walk in but Hanz and Fritz

Carraldo, two amiable blonde bum humming chums who blitz

Krieg the nearest table past my last left,

Eyeing for themselves my polluted judio proboscis.



And I’m stuck now thinking,

Drinking, on the brink of demons,

Where the fuck has 1945 gone?



Foreign 1945,

And I’m strolling loose in their truth

Wandering which way my Bavarian brothers will dump me,

Headfirst or toes buried deep in the ash?

That’s all gone to past.

It’s a waste of ash to smoke on a memory.

History is history and their faces aren’t now, they’re then,

That’s the mystery.



For my love they’ll lose something fierce,

Fuck Hanz and Fritz!

Time’s two bit, dimly lit, Nazi twin half wits

So quick to spit my hiss

Boys frisky with tiny tipsy Swish Alp hips

In the midst of Franco and my last remaining glance

I’ll dance with their ghosts

Around the room

From 1 to 2 all the way to noon

We’ll make the bombs zoom!

Boom

Boom

Boom



Once again

Pull your legs up over your head!

Now, are we three dead?

No, it seems we dream to cling on 1945.

My face lies buried up to their knees and thighs.

Franco laps up any spilt change we leave on the floor.

History is an ungodly bore

Anyways

Nowadays

Thursday, December 16, 2010

קר בתל אביב?
אני אגיד לך מתי באמת היה קר

בדרך כלל יש חום של ברוכים הבאים, אתם בבית

אבל פעם אחת הבאתי איתי בכף יד
בלי להתגלות באבטחה בנמל
קר לתל אביב

שיחררתי את הקר הזה
קר של  אתם  צריך להתבייש בכיבוש שלכם

אבל רק אני הרגשתי את הקר
אז חזרתי להתנהג כמו ציוני

אבל עדיין לא הרגשתי את החום
אז כשהיה לי דקה לבד בחדר עשיתי ביד
כדי לשכוח